Chris Pearson:IronFreely:
Thanks, this is the kind of advice that makes this forum a real gold mine, you just have to sift through the occasional troll suggesting the only issue is tinnitus!That's not very polite!
I return to the question about the amplitude of this noise. Has it been measured; and if so, is it at a level which is capable of being perceived? If either answer is "no" then any attempt to abolish the noise may be a waste of time and money.
ETA: we are talking about a "domestic home" are we not?
We are talking about a home studio, not what you might term an audiophile's "snake oil".
Analogue interconnections that are used in some recording setups can be a minefield for very audible "hum", and it's sensible to have at least a structured approach to the mains. The same issues can plague live performance venues too.
It is this particular "hum" which got me thinking about how I've resolved it in the past ... and then the "balanced output" consideration to help reduce the impact of the actual mains wiring by changing it from "common mode" to "differential mode".
If there are any electric guitars in there, you do need to take care - especially with single-coil pickups - as any electric guitarist will tell you. Electric guitars need to be earthed to prevent "cracks" and "pops" that can happen when you touch (or let go of) the strings, but this makes them effectively "common mode" - so "common mode" single-phase mains hum can be difficult to eliminate.
Chris Pearson:IronFreely:
Thanks, this is the kind of advice that makes this forum a real gold mine, you just have to sift through the occasional troll suggesting the only issue is tinnitus!That's not very polite!
I return to the question about the amplitude of this noise. Has it been measured; and if so, is it at a level which is capable of being perceived? If either answer is "no" then any attempt to abolish the noise may be a waste of time and money.
ETA: we are talking about a "domestic home" are we not?
We are talking about a home studio, not what you might term an audiophile's "snake oil".
Analogue interconnections that are used in some recording setups can be a minefield for very audible "hum", and it's sensible to have at least a structured approach to the mains. The same issues can plague live performance venues too.
It is this particular "hum" which got me thinking about how I've resolved it in the past ... and then the "balanced output" consideration to help reduce the impact of the actual mains wiring by changing it from "common mode" to "differential mode".
If there are any electric guitars in there, you do need to take care - especially with single-coil pickups - as any electric guitarist will tell you. Electric guitars need to be earthed to prevent "cracks" and "pops" that can happen when you touch (or let go of) the strings, but this makes them effectively "common mode" - so "common mode" single-phase mains hum can be difficult to eliminate.
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